The end of the song recounts a modified version of a popular description of the events that culminated in Rasputin's assassination, as perpetrated by Felix Yusupov, Vladimir Purishkevich, and Dmitri Pavlovich, on 16 December 1916 ( O.S.). Although the song states "he was a brute", it claims that the ladies "just fell into his arms." The bridge of the song states that when his purported sexual escapades and political acts became intolerable, "men of higher standing" plotted his downfall, although "the ladies begged" them not to. The song claims that Rasputin's political power overshadowed that of the Tsar himself in "all affairs of state", which was one of the main arguments of his contemporary rivals. The song also depicts Rasputin as being sexually promiscuous, another contemporary rumour: ".But he was real great when he had a girl to squeeze." ".though she'd heard the things he'd done.""Russia's greatest love machine".
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"Rasputin" starts to retell contemporary accounts of his powerful personality: "He was big and strong, in his eyes a flaming glow.""He could preach the bible like a preacher, full of ecstasy and fire." The song depicts Rasputin as being extremely popular with the Russian elite, something that is historically supported: "to Moscow chicks he was such a lovely dear". It stemmed from Rasputin's closeness to the Tsarina. This was a widespread rumour in Rasputin's time, with which his political enemies intended to discredit him. It also claims that Rasputin was Alexandra's paramour: "Ra Ra Rasputin, lover of the Russian queen, there was a cat that really was gone". This is also retold in the song: "For the queen he was no wheeler dealer". Rasputin gained tremendous influence from this position, particularly with Alexandra. The core of the song tells of Rasputin's rise to prominence in the court of Nicholas II, referencing the hope held by Tsarina Alexandra Fyodorovna that Grigori Rasputin would heal her hemophiliac son, Tsarevich Alexei of Russia, and as such his appointment as Alexei's personal healer. Grigori Rasputin, the subject of the song The song describes Rasputin as a playboy, mystical healer, and political manipulator. Written by the group's creator Frank Farian, along with George Reyam and Fred Jay, it is a song about Grigori Rasputin, a friend and advisor of Tsar Nicholas II of Russia and his family during the early 20th century. It was released on 28 August 1978 as the second single from their third studio album Nightflight to Venus (1978).
" Rasputin" is a song by Germany-based pop and Euro disco group Boney M. "Rasputin" (Sopot Festival 1979) on YouTube " Rivers of Babylon" / " Brown Girl in the Ring" "He Was a Steppenwolf" (Rhodesia, U.S., South Africa) " Painter Man" (Europe, Turkey, Yugoslavia, Madagascar, Bolivia, India) "Never Change Lovers in the Middle of the Night" (Europe, Australia, Mexico, Japan, Colombia, Canada, New-Zealand) For the Jack Lucien song, see Rasputin (Jack Lucien song). Boney M went through a myriad of members as the hits dried up, with Farian using new vocalists to front the brand.This article is about the song by Boney M. Boney M sold over 100 million records during their imperial phase, and were absolutely huge in 1978 with their two million-selling UK Official Singles Chart Number 1s, Rivers of Babylon/ Brown Girl In The Ring and Christmas Number 1 Mary’s Boy Child, as well as the UK Official Album Charts Number 1 album Nightflight To Venus.
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The group’s big break came in 1976 when they performed the song Daddy Cool for a German TV show, leading to the song becoming a big hit across Europe. Boney M were initially a solo studio project of Farian’s, where he’d recorded the number Baby Do You Wanna Bump, and when it eventually became a hit across Europe, he decided to hire performers to ‘be’ Boney M. Boney M’s four original members were Liz Mitchell (born July 12, 1952) and Marcia Barrett (born October 14, 1948) from Jamaica, Maizie Williams (born March 25, 1961) from Montserrat and Bobby Farrell (born OctoDecember 30, 2010) a performing artist from Aruba. Boney M are a Euro-Caribbean vocal group invented by German record producer Frank Farian, and who were originally based in West Germany.
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